Where the land slants generously
to the stream between hills--
it's the same slope my body wears
when you are watching,
head to breasts to the valley
by the thighs.
The blackbird that is my dreams
sings to the air until
she IS the air, it seems,
singing--
Lilt and lift, hill
and rift
and pattern-shift
and then I am in it,
I am the Pattern,
I am the Beholder of Patterns.
I'm the deep sky
and the map of reasons why, and
the earth holding us up
and all space embracing us
light as doves, lovingly
above in beauteous skies,
seen through the telescope
of your eyes.
J. Pratt-Walter
12/2/2012
Monday, December 2, 2013
Saturday, November 23, 2013
Overlook, Washington Pass
This is one of a series of poems I wrote while on a trip through the WA state North Cascades loop.
It turned into a small but significant shift in my internal feelings around family and marriage; good, I think, even though this poem does not reveal that yet.
Where rocks lapse into a canyon,
you can lean out and hear
the voice of the sky and
gravity's somber notes--
The glacial smoothness of boulder
is a kind of relief until
you cross the hazard fence
to fall completely into a dark marriage
of you against stone.
Even my feet pressing on hard mountain
feel a bit of the letting go, the What if? of
unmetered descent.
But when I contemplated tumbling,
the rocks, the mountain,
all said No. Not for you.
Not this time.
J. Pratt-Walter
10/2012
It turned into a small but significant shift in my internal feelings around family and marriage; good, I think, even though this poem does not reveal that yet.
Where rocks lapse into a canyon,
you can lean out and hear
the voice of the sky and
gravity's somber notes--
The glacial smoothness of boulder
is a kind of relief until
you cross the hazard fence
to fall completely into a dark marriage
of you against stone.
Even my feet pressing on hard mountain
feel a bit of the letting go, the What if? of
unmetered descent.
But when I contemplated tumbling,
the rocks, the mountain,
all said No. Not for you.
Not this time.
J. Pratt-Walter
10/2012
Saturday, May 11, 2013
The Old Farm
The Old Farm
The memory is in the string
of the bean, and time fades back
to the old farm, back
where we separated the pear flesh
from its skin,
halved, quartered, cored.
The magic is in the
the height of summer;
you can smell it right off the chattering wheat.
The memory is in the squawk
of the turning windmill, drawing
a thick heavy water that is married
to iron and minerals
in the dark pool that is the stock tank.
Mother is shelling peas while us kids
strip the bean from its string,
wash and snap, fill the jars, clear the rim
with a solemn finger,
load into the frightful pressure cooker
where the petcock breathes
the reeking boiled-bean air,
but that's summer too--
pounding heat, matching headache.
The magic is in the clouds
who call a tall gray meeting--
sheet lightning will soon make a hysteria
with thunder, mating the new rain into being.
Our frayed overalls and ragged dresses
will be unfevered for a time,
then back to wheat and rustle and the rhythm
of a steam tractor.
The old horses will never again
trod nor plow a furrow--
they stamp and shake off the flies,
never tallying the miles, not seeing their end
in a tractor's combustion.
Cicadas rattle the afternoon away
to exclamations of the cranky windmill.
Mother is still working the shellin' peas,
sweating as the heat hammers away
all our energy and patience.
Us kids dream we are fish
stroking the cool dark water,
inhaling refreshment and renewal
into our gills,
but among summer wheat fields
there are no lakes.
There is only our thirst, dry
as dust and grit, burnt
as god's condemnation.
J. Pratt-Walter
5/8/2013
The memory is in the string
of the bean, and time fades back
to the old farm, back
where we separated the pear flesh
from its skin,
halved, quartered, cored.
The magic is in the
the height of summer;
you can smell it right off the chattering wheat.
The memory is in the squawk
of the turning windmill, drawing
a thick heavy water that is married
to iron and minerals
in the dark pool that is the stock tank.
Mother is shelling peas while us kids
strip the bean from its string,
wash and snap, fill the jars, clear the rim
with a solemn finger,
load into the frightful pressure cooker
where the petcock breathes
the reeking boiled-bean air,
but that's summer too--
pounding heat, matching headache.
The magic is in the clouds
who call a tall gray meeting--
sheet lightning will soon make a hysteria
with thunder, mating the new rain into being.
Our frayed overalls and ragged dresses
will be unfevered for a time,
then back to wheat and rustle and the rhythm
of a steam tractor.
The old horses will never again
trod nor plow a furrow--
they stamp and shake off the flies,
never tallying the miles, not seeing their end
in a tractor's combustion.
Cicadas rattle the afternoon away
to exclamations of the cranky windmill.
Mother is still working the shellin' peas,
sweating as the heat hammers away
all our energy and patience.
Us kids dream we are fish
stroking the cool dark water,
inhaling refreshment and renewal
into our gills,
but among summer wheat fields
there are no lakes.
There is only our thirst, dry
as dust and grit, burnt
as god's condemnation.
J. Pratt-Walter
5/8/2013
Tuesday, April 30, 2013
Last day of National poetry Month! Spring Night Ballet
It is the last day of National Poetry Month!
spring night ballet
the lilacs are heavy in the air
a fragrance tangible
as syrup alight with wonder
of touch of skin of night air best breathed
by two
oh you yes
us as two pulses and one body
the machinations of the mundane
pushed far behind us
we will be wild we will dare
to be whole as the lilac in may
roots clenching the moist earth
branches alight with sun warm leaves
feeding on their own passion for life
us as chlorophyll igniting the green green
rejoicing cells
whose membranes allow in
all the love all the sky
our spring night ballet
entranced in lilac wishes
J. Pratt-Walter
(c) 2013
spring night ballet
the lilacs are heavy in the air
a fragrance tangible
as syrup alight with wonder
of touch of skin of night air best breathed
by two
oh you yes
us as two pulses and one body
the machinations of the mundane
pushed far behind us
we will be wild we will dare
to be whole as the lilac in may
roots clenching the moist earth
branches alight with sun warm leaves
feeding on their own passion for life
us as chlorophyll igniting the green green
rejoicing cells
whose membranes allow in
all the love all the sky
our spring night ballet
entranced in lilac wishes
J. Pratt-Walter
(c) 2013
Friday, April 26, 2013
Monday, April 15, 2013
Relativity
Yesterday's poem, for National Poetry Month:
Relativity
E=mc2 is missing
the variable of Love:
E=mc2 is the All before anything was.
L
Love=E=mc2=Love
is the binding and the balance
of the universe:
Love x mc2 x E= Truth.
Infinity. El Shaddai
Magnetic North, we are many compasses
to one fixed Truth--
Even electrons love their proton grip,
even cells love their water,
even water loves
all its molecules,
holding on, each to another
as they roll out of god's overfilled bucket.
J. Pratt-Walter
(c) 4/2013
E=mc2 is missing
the variable of Love:
E=mc2 is the All before anything was.
L
Love=E=mc2=Love
is the binding and the balance
of the universe:
Love x mc2 x E= Truth.
Infinity. El Shaddai
Magnetic North, we are many compasses
to one fixed Truth--
Even electrons love their proton grip,
even cells love their water,
even water loves
all its molecules,
holding on, each to another
as they roll out of god's overfilled bucket.
J. Pratt-Walter
(c) 4/2013
The Old Farmhouse
The Old Farmhouse
I remember slipping my feet into mom's tan heels,
scuffing and tapping the girliness
into me through my feet,
in the old farmhouse
that spoke "this is country"
through the living land,
where the barn loomed its
raw holy magic,
more than a cathedral,
until it was torn apart
for its boards.
And the country, it was dismembered
for pavement and all the ludicrous mansions,
and the tan heels and girlhood were destroyed
by my growing up skeptical and never
loved enough.
J. Pratt-Walter
4/15/2013
I remember slipping my feet into mom's tan heels,
scuffing and tapping the girliness
into me through my feet,
in the old farmhouse
that spoke "this is country"
through the living land,
where the barn loomed its
raw holy magic,
more than a cathedral,
until it was torn apart
for its boards.
And the country, it was dismembered
for pavement and all the ludicrous mansions,
and the tan heels and girlhood were destroyed
by my growing up skeptical and never
loved enough.
J. Pratt-Walter
4/15/2013
Monday, April 8, 2013
Deep Tracks
A poem for day 8 of NaPoWriMo:
Deep Tracks
You have left deep tracks
there in the sand
of my soul.
They can never wash out,
not from any galloping wild tide--
Settling and sedimentary,
those shadows are somehow
still the brightest of places:
There you are fossilized
in the epochs of me.
J. Pratt-Walter
(c) 2013
Deep Tracks
You have left deep tracks
there in the sand
of my soul.
They can never wash out,
not from any galloping wild tide--
Settling and sedimentary,
those shadows are somehow
still the brightest of places:
There you are fossilized
in the epochs of me.
J. Pratt-Walter
(c) 2013
Saturday, April 6, 2013
Just Now
Just Now
Sandpipers stitch the sand
to the earth,
the waves growl and churn winter
from upon their beveled strand.
Sky stretches wider
than the world,
and I am trying to be,
just be...
Just be here,
just now.
J. Pratt-Walter, (c) 2013
I Will Know
I Will Know
Did you ever wonder if stars
love their wide-armed universe?
If I can love a precious distant soul,
surely stars born of Madonna-galaxies
surge and whirl their
cauldrons of passions for what is
important to a star.
Maybe when the ration of my days
scatters
like wild antelope
over their ocean of grass,
I know I will know.
J. Pratt-Walter, (c) 2013
Speed of Time
Speed of Time
We move through life
at the speed of time--
sometimes the rapids chuckle
or hiss us along,
and sometimes it's the glass
of an unruffled lake.
On the right green day
or untellable night,
my time moves back
to when we met, poised
upon several simultaneous doorways,
and time forgets to roll on, caught
in your ineffable beauty.
Sometimes time skates ahead,
or all the times circle out at once
and there we are, or maybe just me,
unbound and free,
and you are a miracle awaiting
recognition but you don't know
how to look,
but I do, I do.
J. Pratt-Walter, (c) 2013
We move through life
at the speed of time--
sometimes the rapids chuckle
or hiss us along,
and sometimes it's the glass
of an unruffled lake.
On the right green day
or untellable night,
my time moves back
to when we met, poised
upon several simultaneous doorways,
and time forgets to roll on, caught
in your ineffable beauty.
Sometimes time skates ahead,
or all the times circle out at once
and there we are, or maybe just me,
unbound and free,
and you are a miracle awaiting
recognition but you don't know
how to look,
but I do, I do.
J. Pratt-Walter, (c) 2013
Center of Gravity
It's National Poetry Month! It's not too late for me to start posting, since the writing for it started on time.
Please share some poetry if you like, even if you think it's too rough. Even if you think you are not good enough.
CENTER OF GRAVITY
It sleeps where your feet stood,
your name is a fulcrum
where rests my long old young self--
You don't know my neurons
still fire off your name
at the strangest of times--
It ricochets through my cloaked being,
the intractable nerves mindful
of all things lost.
You're there right now, this moment:
A complex melody, sliding over
this very silken night.
J. Pratt-Walter, (c) 2013
Please share some poetry if you like, even if you think it's too rough. Even if you think you are not good enough.
CENTER OF GRAVITY
It sleeps where your feet stood,
your name is a fulcrum
where rests my long old young self--
You don't know my neurons
still fire off your name
at the strangest of times--
It ricochets through my cloaked being,
the intractable nerves mindful
of all things lost.
You're there right now, this moment:
A complex melody, sliding over
this very silken night.
J. Pratt-Walter, (c) 2013
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